By David Oddie
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Additional resources for A Journey of Art and Conflict: Weaving Indra’s Net
I was aware of the controversies surrounding Wagner and of the anti-Semitic bile he expressed in articles and essays. Much of this was later picked up by the Nazis and incorporated into their propaganda machine. However, the underlying truth, vision and power of Wagner lie in the music he wrote and the impact on the listener. The Ring Cycle became a very powerful and symbolic part of my inner struggles and journey at this time in my life; a time that was emotionally challenging but bursting with possibilities and opportunities.
Several conflict writers place human need at the centre of their thinking. Diane Francis, highlighting the priority to embrace the needs of all parties in a conflict setting, writes: Thus it becomes possible for the conflict to be viewed inclusively and seen as a shared problem rather than in terms of opposition. Such shifts in perception are seen as possible if one assumes not only the existence of universal human needs but a human capacity for empathy for making the imaginative leap from what is needed for our own well being to an understanding of others’ needs.
I was in bed, the first night of a term at my boarding school. I was nine years old. I missed the warmth and comfort of my home and I wanted to cry, but dare not cry audibly in case I was heard by the boys in the adjoining beds and marked out as a ‘wet’. This was in the 1950s, and the school ran a spartan regime in which the stiff upper lip was mandatory. My inner experience was at odds with how people in the outside world saw me. To my parents and others I was a cheerful little chap who was plucky and fearless on the games field.
A Journey of Art and Conflict: Weaving Indra’s Net by David Oddie